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What's wrong with Jamaican Christmas Cake? Everything, if it's not American!
Raymond is moving with his family from Kingston, Jamaica to Queens, New York and he can’t wait to show everyone how American he can be! Whether it’s through books, magazines, music videos and movies, he learns about America in any way he can, even if some of his sources of information are out-dated. However, on Raymond’s first day of school in America, his every attempt to impress everyone with his “American-ness” backfires. What’s worse, his new classmates doubt if he’s Jamaican at all. It’s not until Raymond remembers what he loves most about being Jamaican – making Jamaican Christmas cake – and shares it with his new classmates, that he gains the courage to be himself.
It'll Be Irie will captivate young readers’ hearts with the story of a head-strong immigrant child's humorous attempt to embrace a new cultural environment. In addition, it also offers readers a figurative taste of the underrepresented culture of Jamaica.
Published Reviews
In Torgan-Randall’s picture book, a duck-obsessed girl makes a friend at summer camp after she learns how to listen to others.
Margaret, depicted as a white-skinned, brown-haired girl (rather in the Charlie Brown mold), prefers to be called Ducky. She is obsessed with ducks, and, while attending camp, she works duck facts into every conversation and activity, often talking over her peers (and even the counselor). No one else is much interested, and one boy in particular—red-haired Marvin[4]—loses patience with Margaret’s garrulous duck fixation. “YOU ARE NOT A DUCK! YOU ARE MARGARET!” he tells her. Margaret is momentarily saddened, but she cheers up for the learn-to-swim activity. There, she lends her duck-shaped float-aid to Marvin. Her duck knowledge proves useful, and, more importantly, she learns about Marvin’s own obsession: rocks. Now that their interaction is less one-sided, Margaret and Marvin become friends. Torgan-Randall narrates Margaret’s tale in straightforward, non-rhyming prose, arranging pictures and text so that dialogue appears in natural blank spaces near the speaker. The present-tense constructions and faux-handwritten font lend a sense of immediacy. Torgan-Randall’s illustrations, which are hand-drawn and then digitally refined, evoke the open, ingenuous existence of young children. The campers are ethnically diverse, and all of the characters display distinct personalities (even Bill, the duck float-aid). A pre-story checklist of questions encourages readers to think about listening, communication, and friendship.
A fun, quirky little story about thriving individuality and social integration.